In 1976 Menon moved to Madras to work with Vempati Chinna Satyam in the Kuchipudi style and became a member of his dance company, which was attached to the Kuchipudi Art Academy in Madras. Menon performed extensively with this company in India and also gave solo performances across the country.
Rita Moreno has influenced the entertainment industry for over 70 years as an actress, singer, and dancer. After earning the four major entertainment awards: an Emmy, Grammy, Oscar and Tony, Moreno became the first Latina woman to have an “E.G.O.T.” In 2004, she was honored with the Presidential Medal of Freedom for her many contributions to the arts.
Aboriginal rights activist, Biochemist, Communist, dancer and historian
Tightrope dancer, gymnast, magician
Unlike her few other female contemporaries, such as Bridget Riley, Boty refused to to negate her feminine side and was not overly concerned with seeming serious, intellectual or dispassionate at the expense of her true self. Boty instead celebrated these supposedly “feminine” traits. Her work came unabashedly from a woman’s perspective and it was emotionally engaged and celebratory towards women’s sexual desires.
Agnes de Mille was one of the preeminent American choreographers of the twentieth century. Entering a field dominated by men, de Mille created a distinct American style of dance and choreographed some of the most beloved American ballets. She remains an inspiration to dancers and choreographers.
Poet, dancer, singer, activist, and scholar, Maya Angelou is a world-famous author. She is best known for her unique and pioneering autobiographical writing style.
At the age of 17, Maria Tallchief moved to New York City to pursue her dreams of becoming a dancer. She went from dance company to dance company looking for work. Many of the companies discriminated against her because of her Native American ancestry. Rejection did not stop Tallchief; she continued working towards her goal and eventually became one of America’s most popular ballerinas.
Badia Masabni was an entertainer and businesswoman best known for establishing a series of influential clubs in Cairo in the 1920s, 1930s and 1940s. She is considered to be the mother of modern belly dance and is credited with launching the careers of many Egyptian artists, particularly belly dancers Samia Gamal and Taheyya Kariokka.
Kitty Phetla is a South African ballet dancer and choreographer who began dancing in primary school. Her future mentor Martin Schönberg saw her talent at age 9 and coached her until she was 25, training her in ballet, Spanish dancing, contemporary dance, and Afro-fusion. She joined Schönberg’s Ballet Theatre Afrikan, dancing with the company until 2002 when she left to join the Joburg Ballet, where she became a senior soloist and choreographer. She toured Russia in 2012 with Anna Pavlova’s famous solo The Dying Swan, becoming the first ballerina of African descent to perform the role in Russia. Traditionally performed in a pink tutu and tights, Phetla made the piece her own performing in a black tutu and stockings. She presented her iconic performance of this solo to Nelson Mandela and the Dutch Royal Family in Amsterdam. Phetla choreographed a full-length ballet to the music of Carmina Burana, which she presented in 2016 in China, with dancers from Joburg Ballet and the Liaoning Ballet of China, for an audience of dignitaries tht included China’s president. She also choreographed The After Effect, exploring schizophrenia, for South Africa’s Dance Umbrella festival.
She has also been a radio presenter, for five years on Alex FM, followed by six years of hosting her own show on Radio 2000.