Although Eydís cites her home country of Iceland as still being a huge influence on her music, the real driving force behind her mournful, melancholic and incredibly beautiful arrangements is her own emotions, and having the full freedom to explore those feelings musically however she wants, while also attempting to break free from regular forms of music.
Composer Cheryl Frances-Hoad’s music has been described as “like a declaration of faith in the eternal verities of composition”, with “a voice overflowing not only with ideas, but also with the discipline and artistry necessary to harness them”.
Kristine Tjøgersen’s compositional practice is characterized by curiosity, imagination, humour and precision. Through her work she creates unexpected and absurd auditory situations through playing with tradition, often resulting in a particular strangeness.
As well as composing, Nicola LeFanu has enjoyed teaching composition in England, America and Australia.
Rachel Portman is the first female composer to win an Academy award for her original score for Emma. She also received Academy nominations for Chocolat and Ciderhouse Rules, which also earned her a Golden Globe Nomination. Having scored over 100 films, Portman also enjoys writing for the concert hall and the stage.
Misato Mochizuki’s works, which have been performed at international festivals such as the Salzburg Festival, the Biennale di Venezia, and the Folle Journée in Tokyo, have received numerous awards. Her most outstanding productions include the orchestral portrait concert at Suntory Hall in Tokyo (2007), the cinema concert at the Louvre with the music to the silent film Le fil blanc de la cascade by Kenji MIzoguchi (2007), and the portrait concert at the Festival d’Automne in Paris (2010).
Best known for her musical theater works her award-winning catalog includes Fun Home (Tony Award, Pulitzer finalist); Caroline, or Change (Olivier Award); Violet; Shrek; Thoroughly Modern Millie; Twelfth Night; A Free Man of Color; and by The Public at Central Park: Mother Courage.
As Master of the Queen’s Music, Judith Weir supports school music teachers, amateur orchestras and choirs, and rural festivals. She has written music for national and royal occasions, including the Queen’s 90th birthday celebrations and the UK’s official commemoration of the 1918 Armistice.
Even more than the individual artists that may have been influenced by their aesthetic or political intentions, the most enduring legacy of Pussy Riot has been the new global interest in Russian activist art, as well as in the political situation within the county.
IFTA-nominee Anna Rice is fast emerging as a versatile and highly sought-after composer and orchestrator in the UK and Irish music industries. Equally at home in orchestral and electronic fields, she enjoys a varied career scoring both animation and live action, and a busy schedule as orchestrator and arranger for a number of renowned live and recording artists in Ireland and beyond.