Dorothy G Payer Shepherd
Curator of Textiles and Near Eastern ART for the Cleveland Museum of Art (CMA, 1954-81)
Curator of Textiles and Near Eastern ART for the Cleveland Museum of Art (CMA, 1954-81)
Championship golfer and tennis player
American equestrienne, daredevil rider, vaudeville performer, and from 1929 to 1966 the owner and operator of Parker’s Ranch in Ohio
A passionate advocate for preserving the ash and sweetgrass basketmaking heritage of the Wabanaki tribes of Maine (Maliseet, Micmac, Passamaquoddy, and Penobscot tribes), Theresa Secord is a master basketmaker, still using the basket molds that she inherited from her great-grandmother to shape her art.
Teri Rofkar, known also by her Lingít clan name, Cháas’ koowú tláa was a master in the traditional ways of Raven’s Tail weaving and Spruce Root Basketry. She was also an accomplished educator who passed on these traditional Lingít weaving techniques to future generations so that the skills and art of the Lingít people would not be lost.
Yakima-Colville beadworker whose work has been featured in many museum collections and exhibits and who has worked hard to document her tribal heritage and to keep it a part of her people’s cultural future.
Master weaver, whose inspiration and creativity extend far beyond Toadlena, New Mexico. As a relentless culture bearer, her weaving has immeasurably impacted both traditional and contemporary textile arts.
Puerto Rican lacemaker
Ojibwe elder, storyteller and basketmaker who lived on the Turtle Mountain Indian Reservation in north central North Dakota.
Nez Perce cornhusk weaver