Mary Jackson
A descendent of the Gullah community of coastal South Carolina, Mary Jackson learned the art of making baskets at the age of four from her mother and grandmother.
A descendent of the Gullah community of coastal South Carolina, Mary Jackson learned the art of making baskets at the age of four from her mother and grandmother.
Manigault’s baskets have attained widespread recognition because of the sculptural quality of the forms she created and the imaginative use of natural design and color. She often experimented with different forms, but never overdecorated, understanding the value of the plain, unadorned traditional designs.
A 20-year veteran of the US Coast Guard, the first African-American woman to achieve the enlisted rank of master chief
Powerful gospel and rhythm and blues singer
Member of the 6888th, known as the Six Triple Eight, the only African American WAC unit to go overseas during the war.
The community of Boykin, Alabama, known to many as Gee’s Bend, is home to some of the most highly regarded quiltmakers in America, including Mary Lee Bendolph, Lucy Mingo, and Loretta Pettway, three of the chief quilters from the oldest generation of quilters who represent this profound cultural legacy.
Poet, scholar, and cultural advocate; a nationally recognized thought leader on race, justice, and American society and president of the Mellon Foundation, the largest funder of the arts, culture, and humanities in the United States.
Marion Coleman quilts bear witness that the aesthetic is still a thriving tradition in the African-American community.
Mary Ellen Pleasant was perhaps the most powerful Black woman in Gold Rush-era San Francisco.
A scholar, anthropologist, and academic pace-setter, Johnnetta Betsch Cole’s pioneering work about the on-going contributions of Afro-Latin, Caribbean, and African communities have advanced American understanding of Black culture and the necessity and power of racial inclusion in the US.