Hēni Te Kiri Karamū
Te Arawa woman of mana, teacher, warrior, interpreter
Te Arawa woman of mana, teacher, warrior, interpreter
Mereana Tōpia, better known as Maria, and her daughter Hēni Hoana or Jane Tōpia, were outstanding leaders in their local communities. Among their many activities they fostered the practice of traditional Māori arts and crafts.
Mereana Tōpia, better known as Maria, and her daughter Hēni Hoana or Jane Tōpia, were outstanding leaders in their local communities. Among their many activities they fostered the practice of traditional Māori arts and crafts.
Hēni Materoa Carroll had achieved remarkable recognition for her advancement of Gisborne and of its people. Her quiet influence had transcended racial divisions and her mana was acknowledged by Māori and Pākehā alike.
Hāriata Whakatau Pītini-Morēra was the most important leader of Ngāti Kurī, a founding hapū of Ngāi Tahu in the South Island.
As an individualist who was disengaged from any official artistic movement, Kahlo’s artwork has been associated with Primitivism, Indigenism, Magic Realism, and Surrealism. Posthumously, Kahlo’s artwork has grown profoundly influential for feminist studies and postcolonial debates, while Kahlo has become an international cultural icon.
Izquierdo’s work opened up new possibilities for using symbols tied to Mexican traditions in a way other than to serve the nationalist discourse in art at the time. Izquierdo believed in art for art’s sake and wanted to go beyond the bounds of political art then. While the concept of art for art’s sake traced back to nineteenth-century European avant-gardes, in her context of post-revolutionary Mexico, this direction in art especially bucked the trend of using art as a propagandistic tool. Instead, art’s meaning, for Izquierdo, could be personal and variegated, not following the lines set by the politically powerful art establishment then.
Ngāti Kahungunu; typist, teacher, Māori welfare officer, community leader
Canadian Rebecca Belmore has contributed to the international contemporary art world by developing a performance vocabulary for the representation of a (distinctly female) First Nations identity in art.
Carmen Rupe was a trailblazing transgender woman and entertainer, a larger-than-life personality, sex worker, and celebrated LGBTIQ+ icon. Proprietor of several notorious Wellington nightspots and one-time mayoral candidate, she pushed the boundaries of Wellington nightlife and both entertained and outraged New Zealanders during the 1960s and 1970s. The most visible transgender New Zealander of her time, she used her celebrity to advocate for LGBTIQ+ rights. She was well-known for helping homeless people and others in need.