Born: 19 March 1914, China
Died: 14 May 1991
Country most active: China
Also known as: Madame Mao, Lan Ping (藍蘋), Shumeng
Jiang Qing was a Chinese Communist revolutionary, actor, and major political figure during the country’s Cultural Revolution (1966 to 1976). In 1938, she became the fourth wife of Mao Zedong, the Chairman of the Communist Party and Paramount leader of China, and served as the inaugural “First Lady” of the People’s Republic of China. She was best known for playing a major role in the Cultural Revolution and for forming the political alliance known as the “Gang of Four”. In addition to her work as first lady, Jiang worked as Director of Film in the Central Propaganda Department, and as a member of the Ministry of Culture steering committee for the film industry. She was also known for using her political power to attack her rivals and enemies, including those who had personally slighted her.
In the 1930s, Jiang was active in both the Communist Party and as an actor. She was jailed for three months in 1934 for her political activities in Shanghai. Taking the stage name “Lán Píng” (“”Blue Apple””, 蓝苹), she appeared in many films and plays, including Goddess of Freedom, Scenes of City Life, Blood on Wolf Mountain, Wang Laowu and a starring role in Henrik Ibsen’s A Doll’s House. In 1937, Jiang joined the Lianhua Film Company and starred in the drama Big Thunderstorm (大雷雨).
At the beginning of China’s Great Proletarian Cultural Revolution in 1967, Jiang declared eight performance works to be the new models for proletarian literature and art, called “”model operas””, or “”revolutionary operas””. These designed to glorify Mao Zedong, The People’s Liberation Army, and the revolutionary struggles. Jiang also directed operas and ballets with communist and revolutionary content as part of an effort to transform China’s culture. She dominated the Chinese arts, and in particular attempted to reform the Beijing Opera. She developed a new form of art called the Eight model plays or “”revolutionary opera”” which showed the world in simple, binary terms (i.e “”good guys”” vs “”bad guys””).