Vinnie Ream
The first woman sculptor to receive an order from the United States government for a statue.
The first woman sculptor to receive an order from the United States government for a statue.
Martha King was New Zealand’s first resident botanical artist.
New Zealand’s foremost flower painter of her time, Margaret Olrog Stoddart travelled and exhibited her work internationally.
Mabel Hill’s love of early impressionism coloured her opinion of the movements that followed it. Spending her formative years in New Zealand, then marrying and raising a family instead of studying in Europe as some of her contemporaries were able to do, limited her development as an artist. Although she frequently exhibited with most of the art societies in New Zealand, few of her best works have found their way into public collections.
Joel exhibited regularly in France and Great Britain with conservative bodies such as the Royal Academy of Arts in London and the Société des artistes français in Paris.
Frances Hodgkins was the outstanding artist of her generation, with a professional life that spanned 56 years and earned her a secure place among the English avant-garde of the 1930s and 1940s: the first New Zealand-born artist to achieve such stature.
Edith Collier exhibited at the Women’s International Art Club show in 1920, and in the same year joined Frances Hodgkins’s classes at St Ives. There she began producing the most comprehensively modern and experimental work of her career.
Muriel Moody’s reputation rests primarily on her ceramic sculptures and some bronzes cast in the 1980s. Her work was original and distinctive, usually based on the human figure.
Butler was well known for her many paintings of the landscape around Ōtira
Hilda Wiseman designed over 100 bookplates, most of them linocuts meticulously printed on her own small handpress.