Horn became a key figure in a moment for art that challenged and changed formal ideas. The author, Jeanette Winterson, has described Horn as performing a role akin to an artist-inventor or alchemist, and as possessing a capacity to produce artworks that rouse powerful elemental forces and emotions.
Sherrie Levine, along with Richard Prince, Robert Longo, Cindy Sherman and a small cadre of other artists came to define “The Pictures Generation.” Their collective efforts wrestled with age-old questions surrounding authorship, citation, and originality in art. Her acts of artistic appropriation drastically renegotiated what was permissible both creatively and legally in an unprecedented way.
Iveković is a role model for artists working within the constraints and restrictions of an oppressive regime.
Joan Jonas is a prolific artist, who has greatly influenced the generation of performance artists to follow. She developed her own particularly fluid language and style of working, and furthermore revolutionized the practice by incorporating video and single circuit video loops into her work.
Rosalyn Drexler is an ex-professional wrestler whose experience as ‘Rosa the Mexican Spitfire’ influenced her subsequent work as a visual artist and writer, and who is now becoming recognized as a key feminist voice in the Pop Art movement.
Given how little of her work was actually exhibited during her lifetime and how much of it was lost, Oppenheim’s impact on future generations is all the more remarkable.
Kay Sage is among the few Americans associated with early Surrealism. She fully integrated the language of the movement within her own practice and achieved notable success during her lifetime.
Riley became an icon, not just of Op art, but of contemporary British painting in the 1960s, and she was the first woman to win the painting prize at the Venice Biennale in 1968.
In pursuit of realism, Freilicher, by remaining true to herself, inspired other painters of her era such as Grace Hartigan, Fairfield Porter, Milton Avery, and Hedda Sterne in their engagements with representation. She was also profoundly important to the poets with whom she surrounded herself.
Though it does her aesthetic reach a considerable disservice, Flack is best known for her contribution to the Photorealist movement of the 1970s.