Edith Rimmington
Rimmington’s prolific practice in drawing, painting, writing, poetry, and photography gave significant substance to the British Surrealist movement, helping to secure its reputation both locally and overseas.
Rimmington’s prolific practice in drawing, painting, writing, poetry, and photography gave significant substance to the British Surrealist movement, helping to secure its reputation both locally and overseas.
As a photographer, her unapologetic framing and cropping of the negative taught us to look closely at people. Her photographic techniques paved the way for contemporary photographers’ unorthodox amending of the original material to create insightful pictures about how we see the world. Her interest in the ambiguity generated by images reflected on shop windows, later informed the work of street photographers.
With her first exhibition at the Galerie de Beaune in 1937, Maar is considered one of the most significant Surrealist photographers.
Te Arawa woman of mana, teacher, warrior, interpreter
Bernd and Hilla Becher’s legacy is substantial, with a wide range of artists and photographers having been shaped by their emphasis on objectivity, their approach to changing environments and their development of typology as a means of organizing images.
Carrington never achieved fame as an artist during her lifetime. This can be attributed the fact that she rarely exhibited, or even signed, her work, along with the fact that she was not working in the most current styles.
As a founding practitioner of environmental or “Eco-logical” art, Denes’ impact on the art world is everlasting. By creating with the existing landscape as medium, rather than intervening, she inspired a gentler, more productive form of Land Art.
Saar was a key player in the post-war American legacy of assemblage. Her attitude toward identity, assemblage art, and a visual language for Black art can be seen in the work of contemporary African-American artist Radcliffe Bailey, and Post-Black artist Rashid Johnson.
Helen Chadwick was a pioneering British artist who expanded the boundaries of Body Art – from the principally performative and shouting to be heard practice of the 1970s – towards a more intellectual, complex, and sensuous language.
Schapiro was a leading voice in the development of the Feminist art movement. Through her art she helped to elevate the status of works often perceived as “craft” art and paved the way for female artists to embrace these materials, such as Polly Apfelbaum, Deborah Kass, and Mira Schor.