Eileen Agar helped to shape the development of Surrealism in Britain, a contribution made all the more impressive by the fact that she was one of only a few women associated with the movement. Her work continues to be exhibited in galleries all across the world, while the impact of her aesthetics can also be seen in the work of contemporary artists crafting their own versions of Surrealism.
Unlike her few other female contemporaries, such as Bridget Riley, Boty refused to to negate her feminine side and was not overly concerned with seeming serious, intellectual or dispassionate at the expense of her true self. Boty instead celebrated these supposedly “feminine” traits. Her work came unabashedly from a woman’s perspective and it was emotionally engaged and celebratory towards women’s sexual desires.
Cameron embraced the ambiguity around her portraits and cultivated it intentionally, making her a forerunner to the Pictorialist photographers, particularly Gertrude Kasiber and Heinrich Kühn, and also an inspiration to Surrealist photography thereafter.
By breaking down the barriers between art and life, Clark challenged received ideas about what art could or should be. Accordingly, she is a major reference point for contemporary artists dealing with the limits of conventional forms of art.
Forcing awareness and reassessments of historical and current socio-political issues in Cuba, her legacy comes not only from her work itself, but also the media coverage of her numerous arrests, incarcerations, and interrogations by Cuban authorities, who view her work as a threat to their political system.
EXPORT was a pioneer of engagements with intermedia and this has been influential on subsequent generations of new media practitioners, particularly in relation to Feminism.
Hedda Sterne lived to be one hundred years old, and within those years had a prolific and unceasingly experimental artistic career. She was an early Surrealist, her beguiling and disturbing collages reminiscent of Dora Maar, but she achieved most of her fame when she was grouped with the Abstract Expressionists in New York in the 1940s and 1950s.
Varo and her work quickly became legendary in Mexico. Following her death, the art critics of Novedades called her “one of the most individual and extraordinary painters of Mexican art.”
Leonor Fini was befriended by the whole Parisian artistic community and was one of the most photographed people of the 20th century, resulting in the legacy of “queen of the Paris art world” (expression coined by art critic Sarah Kent). Her popularity in artistic social circles made her the subject of many poems, artworks, and photographs by various artists and writers of her time.
Cassatt’s status in art history has been significant and influential in the later 20th and 21st centuries. She is considered one of the most important American expatriate artists of the late 1800s. She has also been the focus of influential scholarship on female artists, and her work has been discussed by key feminist art historians.